Al- Hujveri, author of Kashf al-Mujab, 'Unveiling of the hidden', the foremost Persian treatise on Sufism, was a leading scholar and sufi of this age. His shrine, with a green dome under which he his buried, continues as a leading center of spiritual guidance, succour and solace.

This painting depicts the original shrine which was extended later. The mosque in the background was demolished and replaced by a much larger one in the nineteen-eighties.

One of three such gardens, this is the finest specimen of mughal landscaping. Similar terraced gardens were laid by the emperor's father Jahangir, in Kashmir and the third by Shah Jahan in Delhi. The garden is conceived in three terraces. The top terrace, Farrah Bakhash, 'bestower of pleasure', indicates that the garden was full of flowers and sweet-scented shrubs. This terrace was reserved for the ladies of the Mughal court. The middle level is most elaborate with the great marble cascade of water. The lowest level called Faiz Bakhash, bestower of plenty', indicates that it abounded in fruit-bearing trees. Here emperors and their grand retinue were entertained by musicians and dancers, by singers and red sand-stone and intricate piatra dura work enhance the pleasure of the gardens.

The descending terraces, the gardens, and the pavilions are unified by water channels, ponds, man-made waterfalls and the hundreds of fountains. The water for the fountains was channeled by ingenious means which cost three times the amount expended on laying the garden.

Babur, the founder of the mughal dynasty stated that 'garden is the purest of the human pleasures'. Shah jahan his descendent, with characteristics, transforming touch, turned the observation into reality on the plains of the Punjab. At this sprawling venue nature and nature happily meet, mix and mingle.